Hadestown is a musical that feels like a late-night concert in a smoky New Orleans bar, a Greek tragedy and a folk album all at once. It retells two myths side by side: the young lovers Orpheus and Eurydice, and the older, troubled marriage of Hades, king of the underworld, and Persephone, goddess of spring.
The music, lyrics and book are by Anaïs Mitchell. It began as a community theater project in Vermont and became a concept album in 2010 before developing into a full stage production directed by Rachel Chavkin. It opened on Broadway in 2019. The score draws on folk, jazz, blues and American roots music, and it’s almost entirely sung.
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Because Hadestown is based on an ancient myth, the ending is well known to anyone who knows the story of Orpheus. The show itself tells you upfront that it’s “a sad song.” Still, we’ll stay light on details so you can enjoy it fresh.
The Characters
- Hermes, the narrator and the guide who knows how the story goes.
- Orpheus, a young, poor songwriter with a gift for music.
- Eurydice, a hungry, practical young woman who has known hard times.
- Hades, king of the underworld, who runs a mine and factory town called Hadestown.
- Persephone, his wife, who spends half the year above ground and brings the summer.
- The Fates, three women who sing as a chorus of temptation and doubt.
- The Workers, the chorus of laborers in Hadestown.
Act One
“Road to Hell”
Hermes introduces the band, the characters and the story. The song is upbeat and jazzy, with a sense of fun, even though it warns us where the story is headed. It also establishes the show’s storytelling style: the characters know they’re telling an old tale.
“Any Way the Wind Blows”
Eurydice and the Fates sing about survival in a harsh world. Eurydice has spent her life running from cold and hunger, and she’s learned to rely on herself. It sets up her practical nature against Orpheus’s dreams.
“Come Home with Me”
Orpheus meets Eurydice and asks her to come home with him. She’s skeptical: what can a poor singer offer? He promises a song that will bring back spring. It’s sweet, funny and hopeful.
“Wedding Song”
Eurydice asks for practical things, and Orpheus offers poetic answers. It’s the start of their romance and a lovely duet about faith and promise.
“Epic I”
Orpheus begins to sing the song he’s writing, a ballad about Hades and Persephone. This “Epic” returns later in the show, building with each version. It’s important to the story’s emotional arc.
“Livin’ It Up on Top”
Persephone arrives for summer and throws a party. It’s a joyful, jazzy number, full of celebration and wine, and it shows how much the world above loves her.
“All I’ve Ever Known”
A quiet, tender love song between Orpheus and Eurydice. Many fans name it one of the most beautiful songs in the show.
“Way Down Hadestown”
Hades comes to take Persephone back below, early. The ensemble sings about Hadestown, a place of work, wealth and power. The song is catchy and ominous, describing the underworld as an industrial town.
“Hey, Little Songbird”
Hades, with his deep, rumbling voice, notices Eurydice and offers her shelter and security in Hadestown. It’s seductive and unsettling, the moment where temptation enters the story.
“When the Chips Are Down” and “Gone, I’m Gone”
The Fates urge Eurydice to look out for herself. Cold, hungry and alone while Orpheus is absorbed in his song, she makes a choice that sets the plot in motion.
“Wait for Me”
Orpheus learns what’s happened and sets out to follow Eurydice to the underworld. Hermes gives him directions in one of the show’s most exciting numbers, with dramatic lighting and staging. It builds into a powerful, driving song of determination.
“Why We Build the Wall”
Act One ends with Hades leading the Workers in a call-and-response chant about building a wall to keep enemies out. It’s a song about power, fear and control, and it’s one of the most discussed songs in the show.
Act Two
“Our Lady of the Underground”
Persephone opens Act Two with a fun, defiant number. Unhappy in Hadestown, she runs a secret speakeasy and serves a little bit of summer to the workers.
“Flowers”
Eurydice reflects on her decision and what she’s lost. It’s a haunting, gentle ballad and a highlight for any performer playing the role.
“Come Home with Me (Reprise)”
Orpheus finds Eurydice in Hadestown. Their reunion is emotional, but escaping won’t be simple.
“Papers”
Hades reveals the terms of Eurydice’s contract. It’s a song about power and how hard it can be to escape a system.
“Epic III”
Orpheus sings the full version of his song to Hades, reminding the king of his love for Persephone. It’s the emotional center of the show, gentle and powerful, and it changes the dynamic between Hades and Persephone.
“Promises”
Orpheus and Eurydice share a duet about trust and their bond.
“Word to the Wise” and “His Kiss, the Riot”
The Fates and Hades consider what to do next. Hades faces a choice between control and compassion.
“Wait for Me (Reprise)” and “Doubt Comes In”
Anyone who knows the myth knows the condition placed on Orpheus. These songs build tension as he faces his own doubts. We’ll leave it there.
“Road to Hell (Reprise)” and “We Raise Our Cups”
Hermes reminds us that this is an old song, sung again and again, because it matters. The show ends with “We Raise Our Cups,” a toast to the characters and to hope, even when the story is sad.

Why Hadestown’s Songs Stay With You
Hadestown’s score is earthy and warm, built on acoustic instruments, brass and a live band that plays on stage. The lyrics are poetic but conversational, and the themes, love versus survival, hope versus doubt, workers versus power, feel both ancient and modern. The show argues that telling sad stories again and again is a way of hoping things might turn out differently.
If you love song guides, try our Les Misérables songs explained and Wicked songs explained guides next.
Keep exploring: see our Hamilton songs explained and Chicago complete fan guide.

Want to play these songs yourself? If you’d like to learn piano by ear and play Hadestown folk-opera melodies at home, Pianoforall is a beginner-friendly course worth a look.
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Where to Listen Legally
- The Original Broadway Cast Recording (2019) is on Spotify, Apple Music and other major services.
- Anaïs Mitchell’s original 2010 concept album is also available, featuring guest artists and an earlier version of many songs.
- The official Hadestown YouTube channel shares performances and clips.
FAQ
What is Hadestown about?
It retells the Greek myths of Orpheus and Eurydice and of Hades and Persephone, set in a world shaped by hard times.
Who wrote Hadestown?
Anaïs Mitchell wrote the music, lyrics and book. It was developed for the stage with director Rachel Chavkin and opened on Broadway in 2019.
Is Hadestown sad?
Yes, the show calls itself “a sad song,” but it’s also full of joy, humor and hope.
What’s the most famous song from Hadestown?
“Wait for Me,” “Why We Build the Wall,” “Flowers” and “Epic III” are among the best known.
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